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Damon Harris
is back. . . and if the name sounds
familiar, here's why. In 1971, he embarked upon a career that brought him nine gold records,
three Grammy Awards and the acclaim of audiences around the world; and that's not even the
best part.He became what all good American boys dream of. No not president; something bigger.
A Temptation. Maybe they weren't immortals, but it sure felt like it.
Maybe not gods, but if you were a child of the 1960's, it was hard to tell the difference
through the stars in your eyes and the cheering in your throat. They were the Temptations
and it was more than enough.So tall, they might be giants. So sharp, you could cut yourself
on their creased pants. So cool, a stray glance could make you shiver. Temptations, David,
with that angular frame and that rasp of ungodly pain in his voice.
Melvin, with those round eyes and that bass that went down for miles. And Eddie, pretty enough
to be a girl, he was, voice floating above the lyric like a balloon floating above the street
on the clearest day of the summer. The way they did the things they did was. . . glorious.
And out in the audience, this kid named Damon was drinking it in like a desert traveler would
drink water, watching and listening with every pore, scared to blink for fear of what he'd
miss. "I was spellbound," he says now. "The main thing that was on my mind was. . .how do
you become that? How did they become what they were? The just seemed so much larger than life".
And he was, after all, just a kid who felt he would "never, be able to surpass their image
and what they were. But, oh, just to be like that". . .
How
it all began . . .
He didn't just love the Temptations, he LIVED them. Child of a Baltimore barber and his domestic
worker wife, raised in middle class comfort, Damon had previously dreamt of a career in professional
sports. Everything changed after he was well. . .tempted. After that, he "brought more Temptation
albums to school than I brought books," and even conducted likeness recording sessions in
the school music room. Most of all, though, he sang, perfecting a sweet, pure falsetto that
was, he confesses, "a consummate likeness of Eddie". It was an imitation that carried him
through his teen years, through stints in local groups with names like the Tempos and the
Vandals. Carried him until he decided it couldn't carry him any further. "It didn't seem pragmatic
to think I was going to be successful doing Eddie Kendricks and imitating the Temptations,"
he says. So he met with his group, tendered his resignation and walked out, intending to enroll
in college. Instead, he walked into a lady he knew. "She asked if I had heard Eddie had left
the group. I said, yeah; who hadn't?"
The Tempts were staying at a hotel down in Washington, she said, and were not real happy with
Eddie's interim replacement. "I think you should have the opportunity to audition for them,"
she told Damon. "Would you like to?" I said, "What do you think?" Washington is about 45 minutes
south of Baltimore by car. "I think I made it in 15", says Damon. He sang individually for
the other Tempts before being presented to founder Otis Williams. Otis didn't make it easy.
He sat astride a chair, his chin tucked in his palm, his head turned away, listening. "That's
what he did the while time I sang", says Damon. "I didn't know whether he was going to laugh
or not. I got mad and consequently, I sang the hell out of the song. After I finished he said,
"I'll talk to you later and let you know."
Worried, dejected, hopeful, Damon wandered home to Baltimore to wait for the call. When it
finally came, it wasn't the lightning bolt from the blue that he might have hoped. Instead,
just a friendly invitation to come to the show. He stood in the wings, watching the group
go through its paces, wondering if there was a place for him. Then, as the Tempts were leaving
the stage, Melvin Franklin fixed him with a look and said simply, "Get ready. Learn this stuff."
"The following day, they had the
big meeting on me. I sat in this big room by myself. Dennis Edwards came out an hour later and
said, "Hey, what's happenin' new Temptation?"
"I was shocked", says Damon. "I felt
undeserving. It was Eddie's position. I felt I wasn't really prepared for it in the sense that
I hadn't gone through what Eddie had gone through to get to the point that he had. And to be
coming in as young as I was and be faced with the responsibility of performing his stuff, that
was really something. I was dealing with some serious ambivalence there."
I adjusted quickly, don't get me wrong.
It was a good time for me. It was a GREAT time. Before parting company with the Temptations
in 1975, Damon Harris re-energized Motown's most storied group and helped lead it though its
last great period of critical and commercial greatness. In those years, the Temptations scorched
the R & B Top 10 hits with "Superstar", "Hey Girl (I Like Your Style)", "Masterpiece", "Shaky
Ground" and American Music Awards, took home three Grammies and performed SRO shows around the
world, including a barrier-blasting stand in Tokyo. Damon Harris was living a fan's dream. He
had supplanted his idol. But when they finally met one day, the hero face to face with the young
man he had inspired, Damon, to his surprise, found himself angry. "I told him, Eddie, you never
should have left the group. You took something from me as a fan". Eddie Kendricks died of cancer
in 1992 and as Damon returns to the stage in his memory, the issue is no longer what the idol
took from the fan, but what the fan has captured and preserved for us all. A voice floating
above the lyric, some serious cool and the enduring excellence of yesteryears and evermores.
Damon Harris is back to Tempt us. And he has made his peace with the ghosts of greatness. "I
am to Eddie what Connick is to Sinatra or what Leonard was to Ali", he says. "As I sing, Eddie
lives".
by L. Pitts of the Washington
Post
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(Roy Cox Studio) |